The main advantage of horn loudspeakers is they are more efficient; they can typically produce approximately 3 times (10 dB)[3][4][5] more sound power than a cone speaker from a given amplifier output. Therefore, horns are widely used in public address systems, megaphones, and sound systems for large venues like theaters, auditoriums, and sports stadiums. Their disadvantage is that their frequency response is more uneven because of resonance peaks, and horns have a cutoff frequency below which their response drops off. (The cutoff frequency corresponds to the wavelength equal to the circumference of the horn mouth.[6]) To achieve adequate response at bass frequencies horn speakers must be very large and cumbersome, so they are more often used for midrange and high frequencies. The first practical loudspeakers, introduced around the turn of the 20th century, were horn speakers. Due to the development in recent decades of cone loudspeakers which sometimes have a flatter frequency response, and the availability of inexpensive amplifier power, the use of horn speakers in high fidelity audio systems over the last decades has declined.
Ramsa, the professional audio division of Panasonic Corporation, introduced a twin Bessel constant directivity horn shortly after the Mantaray appeared. The design was very similar to the Mantaray and the Bi-Radial but it used a dual series Bessel expansion formula to determine the flare rate of the secondary horn section.[30]
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Because the CD horn's high frequencies are more spread out over its coverage pattern, they appear attenuated relative to other horns. The CD horn requires an equalization boost of approximately 6 dB per octave[31] with a filter knee centered between 2 and 4 kHz[32] (depending on horn design) in order to sound neutral and balanced. Most manufacturers of active electronic audio crossovers responded to this requirement by adding an optional CD EQ boost filter or high frequency shelf filter. For instance, such circuitry was provided via internal jumper links by BSS in their FDS-310[33] crossover and by Rane in their AC 22S[34] and AC 23B[35] crossovers. Rane allowed for greater front panel control of two bandpasses ("hi-mid" and "high") using CD horn equalization including sweepable frequency range on their AC 24 crossover.[36] Further refinements of the filtering process are available in DSP-based crossovers.
For more than 50 years, midrange and high frequency horns have been the hands-down choice for movie theater sound engineers. From the softest whispers..to the highest impact sound effects.. horn drivers have no equal when it comes to clarity and dynamic range.
Native instruments Session Horns KONTAKT Library features Smart Voice Split function for creating authentic horn arrangements with your keyboard on the fly. You can inject any production with the dynamite sound which will blow you away. This impressive application has been aimed at a wide variety of contemporary genres. It is the express route to the authentic horns for the producers of any ability. It has got an inventive Animator function that will provide you with an intuitive and inspiring way to jam the authentic brass phrases while maintaining real time control. All in all Native instruments Session Horns KONTAKT Library is an imposing application which can be used for enhancing your sounds greatly. You can also download Native Instruments FX VST Pack.
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Minilyzer Supports AFILS MeasurementsNTI AG announces the release of the Minilyzer firmware release Version3.10, supporting induction loop measurements and extended individualharmonic distortion analysis from 2nd to the 5th harmonic. The newfirmware 3.10 is available now. All Minilyzer users can upgrade theirinstruments using the MiniLINK PC software to download the firmwarefrom the NTI Website.
Restoration Suite Version 1.5 adds a new DeCrackle plug-in andprocessing improvements to the three existing audio restoration tools:DeClick, DeNoise and DeScratch. Restoration Suite 1.5 will beginshipping in June with prices at $1,495. A free upgrade will bedownloadable from the TC Website for existing Restoration Suiteusers.
The ReFill-format packs instrument patches, samples, audio files and REX material in one compact file; the combined size of all material packed in a ReFill is reduced by up to 50 percent through nonlossy compression. The ElectroMechanical ReFill content update can either be downloaded for free from the Propellerhead Website or a CD is available for a small shipping fee.
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